Showing posts with label ashtapada. Show all posts
Showing posts with label ashtapada. Show all posts

Monday, February 13, 2012

I Ching in 3-D


The presented diagram depicts the 8 x 8 field known as ashtapada. The colored bands represent the oracular probabilities corresponding to the four xiang (symbols). In this entry, the author extends the notions implied by this diagram into three-dimensions through the use of 64 colored cubes.


The idea is simple: a cube has six faces; while an hexagram has six places, commonly denoted as bottom2nd3rd4th5th, and top.  Each cube face, therefore, may represent one place of an hexagram and its associated text.

representation of xiang
Tradition asserts that bottom place is nascent, and top place is retiring.  It follows, therefore, that the bulk of a hexagram's meaning or action is found in the middle of the hexagram, sometimes called a 'tetragram'.  These four middle places of the hexagram, akin the four walls of a room, correspond to the four sides of a cube; corresponding furthermore, to the four seasons, four cardinal directions (xiang), four elements, four tarot suits, or any other quaternity.


Since the oracular probabilities are depicted by the colors, all that remains is to devise unambiguous means of associating a particular cube face with an hexagram place.  
We may appropriately mark the six faces, 1) to indicate the relative positions of the faces, and 2) to determine their yin or yang character, and perhaps, 3) with its index (for easy reference).  This permits us to determine easily the quality of the upturned face when a cube is selected.


Proceeding to appropriately label each of the 384 cube faces, we now have a device whereby the identity of an hexagram is determined by the unique configuration of its faces. Simultaneously, that same cube indicates by its color if the upturned face is a changing line or static.  Alternately, six cubes may be selected blindly with replacement to generate an hexagram line-by-line with color alone as an the line-type indicator . 

Addendum (26April12):
Yarrow Oracle
The author has fashioned for himself a compact set of divination cubes that are functionally equivalent to the yarrow oracle.   Since the yarrow probabilities reduce to multiples of 1/16, four colors in the proper proportions reproduce the oracle.  Six cubes are selected individually and randomly with replacement.  Further, the author employs a webcam to film a blind-selection procedure to reduce the possibility of inadvertently influencing the outcome while divining.

Tuesday, November 8, 2011

Xiantian Cube


depiction of xiang

Abstract: Investigating ways to derive the 4th-order cube from the ashtapada informed by notions of  xiang and complementarity.


At the center of the diagram following is an 8X8 field with colored bands.  This field of action (Sanskrit: kurukshetra) is also known as ashtapada.  The bands represent the xiang; alternatively, the oracular probabilities representing them when expressed as fractions of 64.  


Surrounding that field are four 4 X 4 sections.  These are intended to represent xiang.  They are presented with the intention of providing a static internal view of the assembled cube.  


The xiang sit on a 2 X 2 grid with axis labels in white.  The labels serve to explain the depiction of the xiang relative to the 2 X 2 grid and 8 X 8 field.





Labels:
CREATIVE indicates YANG, while STRUCTIVE indicates YIN.
STATIC & DYNAMIC are related to the notion of action or change, and the background against which it must be observed.

also: 'event vs. environment,' 'figure vs. ground,' or 'text vs. context,' even 'nature vs. nurture.'

Monday, October 10, 2011

Evidence of a Relation from Chinese Book of Changes to the Maya Calendar

In our discussion of 'yao-numbers,' the existence to which is alluded in Ta Chuan Part 1 Chapter 9, we demonstrate that the Wen pairs embody a form of complementarity that is based on the number 360.


On performing a trivial transform on the Wen pairs, we obtained a distribution of ten (initially nine*) groups of hexagrams with the following properties:
  • The ten groups exist in five matched pairs
  • The same quantity of hexagrams is present in both halves of a given pair of groups
  • All hexagrams in any given group have the same yao-number
  • Yao-numbers of paired groups complement to 360
  • Summing yao-numbers over all 32 pairs of hexagrams produces 11,520
The ten groups and their yao-numbers:
  • 144/216 -- one member each 
  • 168/192 -- three members each 
  • 172/188 -- six members each 
  • 180/180 -- ten members each 
  • 176/184 -- twelve members each 
* Initially, groups presently numbered #4 and #7 were regarded as a single group of twenty.  Since both have yao-number 180, partitions of this group of twenty appear arbitrary.  However, yao-number, tends to increase monotonically from left to right across the groups.  A single group of twenty does find an appropriate location in the middle as it regards yao-numbers as index.  


In a separate discussion of hexagram arrangements, we observed that the xiantian arrangement (i.e. complementary opposites) over the ashtapada (i.e. 8x8 field) exhibits another kind of complementarity based on the number 65.  Hexagrams may be interpreted as binary expressions of the counting numbers [1..64].  When arranged on the ashtapada according to xiantian, any pair of hexagrams separated by 180 degrees of rotation will sum to 65.


Xiantian magic square
We later determined that a particular xiantian arrangement termed XMS (xiantian magic square), based on the 8th-order magic square, exhibits row-wise and columnar partitioning whereby each linear collection of eight hexagrams sums to the number 260.  The two main diagonals also exhibit this trait, producing a total of 18 linear octets  of hexagrams, each collection summing to 260.  Further investigation reveals that any symmetrical selection of eight hexagrams over the XMS will also account 260.  The 64 elements sum to 2080 of any proper 8th-order magic square.


These two modes of complementarity appear quite different in character.  The former is based on a simple transformation of a peculiar pairing relationship attributed to King Wen of Chinese antiquity.  The latter mode arises in large part from a distinct spatial arrangement of the same 64 elements interpreted as numbers.  Neither mode seems especially well-related to the other, yet both coexist in the same set of 64 hexagrams and express two different forms of complementarity.  It must be granted 1) that both modes are based on 'pairing,' but the pairings (xiantian vs. Wen) are fairly discrete; and 2) that complementarity figures prominently in both modes.


Databases "views" present varying modalities of the underlying object, yet the object remains one and the same.  Two calendars in prominent use by the pre-Columbian Maya, the tun and tzolk'in, are based on the numbers 260 and 360, respectively.  Is it mere coincidence that the mathematically- and astronomically-astute Maya would make calendric use of these numbers, now shown to be derivable from the Book of Changes dated some 2000+ years prior?  Or is it more logical and likely that the Maya calendar system and the Chinese Book of Changes are simply expressions of the same fundamental object?

Thursday, October 6, 2011

18 Magic Spells

Having derived candidates for the 18 spells, it remains for us to choose or develop a framework for interpreting them.  The following are what came immediately to mind:
  1. divination
  2. DNA (genome)
Xian Tian magic square
The 18 collections or "spells" were derived from the xian tian magic square arrangement (discussed elsewhere) and are listed below.  The hyper-linked numbers correspond to the traditional hexagram ordering attributed to King Wen, while the numbers in the graphic at right are numerical values of the same.  The first few "spells" have been loosely interpreted using the divinatory language of the I Ching:



Spells from ROWS
01)     2,44,13,19,15,6,25,11

receptive/field, coupling/meeting, humbling, approaching, arguing, fidelity, peace 
02)     9,51,40,53,61,55,32,20
small harvest, thunder, deliverance, advancement, re-centering, fullness, endurance, viewing
03)     14,3,29,56,38,63,48,35
04)     45,18,22,58,31,4,27,43
05)     23,28,49,41,52,47,17,26
06)     5,21,64,39,60,30,50,8
07)     34,42,59,62,54,37,57,16
08)     12,46,36,10,33,7,24,1

Spells from COLUMNS
09)     2,9,14,45,23,5,34,12
10)     44,51,3,18,28,21,42,46
11)     13,40,29,22,49,64,59,36
12)     19,53,56,58,41,39,62,10
13)     15,61,38,31,52,60,54,33
14)     6,55,63,4,47,30,37,7
15)     25,32,48,27,17,50,57,24
16)     11,20,35,43,26,8,16,1

Spells from DIAGONALS
17)     2,51,29,58,52,30,57,1
18)     11,32,63,31,41,64,42,12

Magic Spells for Odin/Mercury

Ashtāpada: the uncheckered 8x8 board
I Ching ELEMENTS
64 six-line figures or "hexagrams" (e.g. ䷄), each with associated judgments, imagery, and texts.  May be written using line drawings: ⚊ ⚋ or with strings of binary digits; for example: 010111b is a binary expression of the hexagram figure above.


I Ching ARRANGEMENT



Ashtāpada, the uncheckered 8×8 board, of Hindu derivation.  The literal meaning of "ashtapadi" is "eight steps." This word is the origin of the word ashtāpada, an Indian board game, the forerunner of chess. The word now primarily refers to the board itself.

    Vastu-Purusha mandala
  • Related to the game Chaturanga: (Sanskrit: "four-limbed"), the ancestor of modern chess
  • Related to Manduka/Chandita mandala 
  • Populated by the 64 hexagrams, it represents 2080 
  • Characterized as a "field of action [activity]," indicating the body, or even the Universe suggesting perhaps the identity relation between these 
    • related to "kshetra," meaning 'field' or 'body' 
    • related to Vastu-Purusha mandala
    • q.v. Bhavagad Gita: ch. 13
    • q.v. Ta Chuan p1:c11:v5-6 
    • q.v. "Symbolism of Chess," Titus Burkhardt


I Ching SYNTAX
Xian Tian, a symmetrical arrangement of 32 pairs of binary complements over the ashtāpada. 
  • Any given hexagram on the ashtāpada has a complement at 180 degrees of rotation 
  • The binary values of each complementary hexagram pair sums to 65 
  • The expression 64!! (double factorial), equal to [64*62*60...8*4*2] computes the xian tian arrangements that can exist
Xian Tian magic square
Our xian tian magic square (XMS) is an arrangement wherein all linear collections of eight numerical elements (rows, columns, and main diagonals) sum to 260. 
  • XMS produces two proper partitions of the populated ashtāpada.
  • The eight rows constitute a partition, the eight columns constitute another partition, and the diagonals comprise two additional octonary collections for a total of 18 linear octets. 
  • The author is presently unclear how to calculate the number of xian tian arrangements that obey the magic square restriction, though it is obviously a subset of total number of xian tian arrangements . 
Explication:

Circular arrangement of the Armanen runes
    The 18 linear collections of eight hexagrams within Mercury's magic square are suggestive the 18 spells (also charms, runes) gained by Odin as described in the Runatal and Ljooatal sections of the Hávamál.
    The author proposes that the 18 linear octets of hexagrams, arranged on the XMS, are candidates for the eighteen spells of Odin. In the binary language of computing hardware, eight bits (binary digits) commonly constitute a 'word.' 
    In this discussion, the sixty-four 6-bit hexagrams serve as the words or runes. Therefore each of the eighteen collections comprises a unique combination of eight 6-bit "words."  Each of our "spells" consists of eight words (alternatively, eight hexagrams or runes), having a numerical or numerological value of 260.


    Words certainly imply 'spells' and 'spelling,' as to spell a word is to precisely enumerate its letters in correct sequence. The word 'gospel,' for example, literally means "good spell," or "good word."  


    Words and runes are symbolic representations of ideas.  Runes are fairly distinct from letters, it seems, since individual letters seem devoid of semantic value viz. the word in which they appear; while runes preserve a measure of their individual meanings in isolation. Additionally, runes seem more akin to words in a phrase than to letters in a word.

    Wednesday, September 28, 2011

    Ashtapada Calendar

    At right, the 8 x 8 ashtapada is depicted as four colored banded regions comprising 4, 12, 20, and 28 squares out of sixty-four.  In turn, these four regions are determined to represent the 4 Seasons, the 12 Zodiacs, the 20 Day-signs, & the 28 Lunar mansions respectively.  In this way, the ashtapada, or the Book of Changes to which it relates, acts as a timekeeping device capable of assisting its user in tracking various units of time, particularly those involving multiples of 2, 3, 5, or 7.